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<!--Generated by Squarespace Site Server v5.9.2 (http://www.squarespace.com/) on Fri, 12 Mar 2010 03:37:34 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>A Painter On Painting Journal by Gail Sauter</title><subtitle>A Painter On Painting</subtitle><id>http://www.gailsauter.com/a-painter-on-painting/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.gailsauter.com/a-painter-on-painting/"/><link rel="self" type="application/atom+xml" href="http://www.gailsauter.com/a-painter-on-painting/atom.xml"/><updated>2010-03-08T05:00:48Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.9.2 (http://www.squarespace.com/)">Squarespace</generator><entry><title>Quite Simply Amazing</title><category term="ARTISTS"/><id>http://www.gailsauter.com/a-painter-on-painting/2010/3/8/quite-simply-amazing.html</id><link rel="alternate" type="text/html" href="http://www.gailsauter.com/a-painter-on-painting/2010/3/8/quite-simply-amazing.html"/><author><name>Gail Sauter</name></author><published>2010-03-08T05:00:47Z</published><updated>2010-03-08T05:00:47Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p style="text-align: center;"><span class="full-image-block ssNonEditable"><span><img style="width: 300px;" src="http://gailsauter.squarespace.com/storage/Stephen_Wiltshire_2008.jpg?__SQUARESPACE_CACHEVERSION=1265687659156" alt="" /></span></span></p>
<p style="text-align: center;">Stephen Wiltshire</p>
<p>&nbsp;</p>
<p>This is simply the most amazing thing I have ever seen. You have to&nbsp;see this guy draw! I am flabbergasted. <a href="http://www.gailsauter.com/a-painter-on-painting/">&gt;&gt;more</a>&nbsp;</p>]]></summary></entry><entry><title>The Triplets of Belleville</title><category term="ART CHATS"/><id>http://www.gailsauter.com/a-painter-on-painting/2010/3/1/the-triplets-of-belleville.html</id><link rel="alternate" type="text/html" href="http://www.gailsauter.com/a-painter-on-painting/2010/3/1/the-triplets-of-belleville.html"/><author><name>Gail Sauter</name></author><published>2010-03-01T05:00:58Z</published><updated>2010-03-01T05:00:58Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img style="width: 300px;" src="http://gailsauter.squarespace.com/storage/The%20Triplets%20of%20Belleville.jpg?__SQUARESPACE_CACHEVERSION=1267202478676" alt="" /></span></span></p>
<p>Yes, <em>Avatar </em>is amazing. Yes, it seems like everything is absolutely real &ndash; those are &lsquo;real&rsquo; people on screen! The fact that some of them are 8 feet tall with blue skin and a tail not withstanding! But!!<em> <a href="http://www.gailsauter.com/a-painter-on-painting/">&gt;&gt;</a></em><a href="http://www.gailsauter.com/a-painter-on-painting/">more</a></p>]]></summary></entry><entry><title>Contemporary Classicism</title><category term="ARTISTS"/><id>http://www.gailsauter.com/a-painter-on-painting/2010/2/22/contemporary-classicism.html</id><link rel="alternate" type="text/html" href="http://www.gailsauter.com/a-painter-on-painting/2010/2/22/contemporary-classicism.html"/><author><name>Gail Sauter</name></author><published>2010-02-22T05:00:33Z</published><updated>2010-02-22T05:00:33Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p style="text-align: center;"><span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://gailsauter.squarespace.com/storage/Ligare.jpg?__SQUARESPACE_CACHEVERSION=1262227537584" alt="" /></span></span>&nbsp;</p>
<p style="text-align: center;">David Ligare - Still Life with Apples &ndash; private collection</p>
<p style="text-align: justify;">David Ligare&rsquo;s work has a strong classical pulse but also a lively modern spirit. This is a thoughtful and insightful man &ndash; a thinker. The mysterious spaces he creates seem entirely natural and beckon us to come, relax, explore. <a href="http://www.gailsauter.com/a-painter-on-painting/">&gt;&gt;more</a></p>]]></summary></entry><entry><title>Bonnard's Late Interiors</title><category term="ARTISTS"/><id>http://www.gailsauter.com/a-painter-on-painting/2010/2/15/bonnards-late-interiors.html</id><link rel="alternate" type="text/html" href="http://www.gailsauter.com/a-painter-on-painting/2010/2/15/bonnards-late-interiors.html"/><author><name>Gail Sauter</name></author><published>2010-02-15T05:00:54Z</published><updated>2010-02-15T05:00:54Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img style="width: 300px;" src="http://gailsauter.squarespace.com/storage/Bonnard%202.jpg?__SQUARESPACE_CACHEVERSION=1262614096332" alt="" /></span></span>Bonnard &ndash; Interior 1913</p>
<p style="text-align: justify;">Here is a&nbsp;great utube video of a curatorial talk by Dita Amory about the exhibition of Bonnard&rsquo;s late interiors at the Met earlier this year (now ended). <a href="http://www.gailsauter.com/a-painter-on-painting/">&gt;&gt; more</a></p>]]></summary></entry><entry><title>Bad Hair Day</title><category term="ART CHATS"/><id>http://www.gailsauter.com/a-painter-on-painting/2010/2/8/bad-hair-day.html</id><link rel="alternate" type="text/html" href="http://www.gailsauter.com/a-painter-on-painting/2010/2/8/bad-hair-day.html"/><author><name>Gail Sauter</name></author><published>2010-02-08T05:00:49Z</published><updated>2010-02-08T05:00:49Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img style="width: 300px;" src="http://gailsauter.squarespace.com/storage/Hairstyles.jpg?__SQUARESPACE_CACHEVERSION=1262444488068" alt="" /></span></span>&nbsp;</p>
<p>Some things never change, I guess. Like wanting to look good. <a href="http://www.gailsauter.com/a-painter-on-painting/">&gt;&gt;more</a></p>]]></summary></entry><entry><title>Simple Visions of Complexity</title><category term="ARTISTS"/><id>http://www.gailsauter.com/a-painter-on-painting/2010/2/1/simple-visions-of-complexity.html</id><link rel="alternate" type="text/html" href="http://www.gailsauter.com/a-painter-on-painting/2010/2/1/simple-visions-of-complexity.html"/><author><name>Gail Sauter</name></author><published>2010-02-01T05:00:09Z</published><updated>2010-02-01T05:00:09Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p style="text-align: center;"><span class="full-image-block ssNonEditable"><span><img style="width: 300px;" src="http://gailsauter.squarespace.com/storage/stoer.jpg?__SQUARESPACE_CACHEVERSION=1262444141952" alt="" /></span></span>Lorenz Stoer &ndash; from Geometria et Perspectiva - 1567<br /><br /></p>
<p style="text-align: justify;">Lorenz St&ouml;er was a German printmaker and painter who lived in the late 16th Century. He created wonderfully idiosyncratic geometric forms of imagined architecture and landscapes. Virtually unknown to us today, except for a folio of 11 woodcuts from his book called <em>Geometria et Perspectiva</em>, an unpublished portfolio of color drawings has recently been attributed to him (at the Munich Library).</p>
<p style="text-align: justify;">I find these complex and inventive worlds intriguing. I can get lost in them, following lines and planes to see where they lead. In our modern world where we strive for simplicity, it is refreshing to loose oneself in their complexity &ndash; a visual sudoku puzzle!</p>
<p style="text-align: center;"><a href="http://feedburner.google.com/fb/a/mailverify?uri=APainterOnPainting&amp;amp;loc=en_US&quot;&gt;Subscribe to A Painter On Painting by Email&lt;/a&gt;" target="_blank">&nbsp;Subscribe: Click Here</a></p>]]></content></entry><entry><title>Mysterious Mona Lisa</title><category term="ART CHATS"/><id>http://www.gailsauter.com/a-painter-on-painting/2010/1/25/mysterious-mona-lisa.html</id><link rel="alternate" type="text/html" href="http://www.gailsauter.com/a-painter-on-painting/2010/1/25/mysterious-mona-lisa.html"/><author><name>Gail Sauter</name></author><published>2010-01-25T05:00:52Z</published><updated>2010-01-25T05:00:52Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p style="text-align: center;"><span class="full-image-block ssNonEditable"><span><img style="width: 300px;" src="http://gailsauter.squarespace.com/storage/Mona%20Lisa.jpg?__SQUARESPACE_CACHEVERSION=1262384376234" alt="" /></span><span class="thumbnail-caption" style="width: 300px;">Leonardo da Vinci - Mona Lisa @1503</span></span></p>
<p style="text-align: justify;">You know sometimes all the modern technology that is currently available takes some of the fun out of life. For instance, a study done in Manchester, England using a 240 megapixel camera suggests that the Mona Lisa originally had eyebrows. <a href="http://www.gailsauter.com/a-painter-on-painting/">&gt;&gt;more</a></p>]]></summary></entry><entry><title>Drawing Aerobics</title><category term="ART TECH"/><id>http://www.gailsauter.com/a-painter-on-painting/2010/1/18/drawing-aerobics.html</id><link rel="alternate" type="text/html" href="http://www.gailsauter.com/a-painter-on-painting/2010/1/18/drawing-aerobics.html"/><author><name>Gail Sauter</name></author><published>2010-01-18T05:00:14Z</published><updated>2010-01-18T05:00:14Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img src="http://gailsauter.squarespace.com/storage/Rembrandt.jpg?__SQUARESPACE_CACHEVERSION=1262229342882" alt="" /></span></span></p>
<p>Rembrandt &ndash; 1655 &ndash; The British Museum</p>
<p style="text-align: justify;">We all know that exercise is good for us &ndash; keeps us healthy and sharp. How about our drawing skills? Do they need exercise too? Ugh &ndash; the &ldquo;e&rdquo; word! (That&rsquo;s my reaction) However, here is a really fun way to get in some observational practice and amuse yourself at the same time. <a href="http://www.gailsauter.com/a-painter-on-painting">&gt;&gt;more</a></p>]]></summary></entry><entry><title>How to be Self Taught</title><category term="ART CHATS"/><id>http://www.gailsauter.com/a-painter-on-painting/2010/1/11/how-to-be-self-taught.html</id><link rel="alternate" type="text/html" href="http://www.gailsauter.com/a-painter-on-painting/2010/1/11/how-to-be-self-taught.html"/><author><name>Gail Sauter</name></author><published>2010-01-11T05:00:18Z</published><updated>2010-01-11T05:00:18Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p>Oil 30x30</p>
<p style="text-align: justify;">Here is my first painting of the new year. Actually, I started it in 09 but I catalogue my work by their completion dates so here is #10-01.</p>
<p style="text-align: justify;">It had a rather interesting gestation. In one of the art blogs I read, it was suggested that <a href="http://www.gailsauter.com/a-painter-on-painting/" target="_blank">&gt;&gt; more</a></p>]]></summary></entry><entry><title>The Dalai Lama's Advice to Artists</title><category term="ART CHATS"/><id>http://www.gailsauter.com/a-painter-on-painting/2010/1/4/the-dalai-lamas-advice-to-artists.html</id><link rel="alternate" type="text/html" href="http://www.gailsauter.com/a-painter-on-painting/2010/1/4/the-dalai-lamas-advice-to-artists.html"/><author><name>Gail Sauter</name></author><published>2010-01-04T05:01:09Z</published><updated>2010-01-04T05:01:09Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img style="width: 350px;" src="http://gailsauter.squarespace.com/storage/141937704_246761b3bd.jpg?__SQUARESPACE_CACHEVERSION=1259022676646" alt="" /></span></span></p>
<p>His Holiness, The Fourteenth Dalai Lama&nbsp;</p>
<p>It is hard to believe, but this blog is now 1 year old.</p>
<p>I try to create the blog I would like to receive, and, in fact, because I write these posts in advance, and then forget what I&rsquo;ve written, I subscribe to this blog myself! It&rsquo;s always fun to get my notification that Gail&rsquo;s written something &ndash; I wonder what I have to say today! <a href="http://www.gailsauter.com/a-painter-on-painting/">&gt;&gt;more</a>&nbsp;</p>]]></summary></entry><entry><title>The Best Is Yet To Come</title><category term="ART CHATS"/><id>http://www.gailsauter.com/a-painter-on-painting/2009/12/28/the-best-is-yet-to-come.html</id><link rel="alternate" type="text/html" href="http://www.gailsauter.com/a-painter-on-painting/2009/12/28/the-best-is-yet-to-come.html"/><author><name>Gail Sauter</name></author><published>2009-12-28T05:00:08Z</published><updated>2009-12-28T05:00:08Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img style="width: 350px;" src="http://gailsauter.squarespace.com/storage/harold-garde-studio-2009.jpg?__SQUARESPACE_CACHEVERSION=1259024208301" alt="" /></span></span></p>
<p>Harold Garde in his studio</p>
<p>This is a great video and one that takes us into the future while acknowledging the challenges we all face in getting there. The artist is Harold Garde speaking of his life, his art and the journey he&rsquo;s been on for the past 85 years. <a href="http://www.gailsauter.com/a-painter-on-painting/" target="_blank">&gt;&gt;more</a>&nbsp;</p>]]></summary></entry><entry><title>Carl Moll</title><category term="ARTISTS"/><id>http://www.gailsauter.com/a-painter-on-painting/2009/12/21/carl-moll.html</id><link rel="alternate" type="text/html" href="http://www.gailsauter.com/a-painter-on-painting/2009/12/21/carl-moll.html"/><author><name>Gail Sauter</name></author><published>2009-12-21T05:00:21Z</published><updated>2009-12-21T05:00:21Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img style="width: 250px;" src="http://gailsauter.squarespace.com/storage/CarlMollTheViewFromSchindler'sWindow1886EsslCollection.jpg?__SQUARESPACE_CACHEVERSION=1259020638408" alt="" /></span></span></p>
<p align="center">Carl Moll (1861 &ndash; 1945)</p>
<p style="text-align: justify;">Carl Moll was a Viennese artist whose work I greatly admire. He seemed to be able to straddle that fine line between abstraction and representation, between suggestion and description. I find his paintings very evocative. As my Holiday gift to you, I thought I&rsquo;d share a selection of them with you today. <a href="http://www.gailsauter.com/a-painter-on-painting/">&gt;&gt;more</a></p>]]></summary></entry><entry><title>Dear Vincent,</title><category term="ART CHATS"/><id>http://www.gailsauter.com/a-painter-on-painting/2009/12/14/dear-vincent.html</id><link rel="alternate" type="text/html" href="http://www.gailsauter.com/a-painter-on-painting/2009/12/14/dear-vincent.html"/><author><name>Gail Sauter</name></author><published>2009-12-14T05:01:14Z</published><updated>2009-12-14T05:01:14Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img style="width: 350px;" src="http://gailsauter.squarespace.com/storage/Van%20Gogh's%20Blog.jpg?__SQUARESPACE_CACHEVERSION=1259018460461" alt="" /></span></span></p>
<p align="center">Vincent Van Gogh (1853 &ndash; 1890)</p>
<p style="text-align: justify;">This is just so neat I have to share it with you!</p>
<p style="text-align: justify;">Imagine getting a letter from Vincent Van Gogh &ndash; in fact, imagine getting letters from him on an ongoing basis. Well, you can! <a href="http://www.gailsauter.com/a-painter-on-painting/">&gt;&gt;more</a></p>]]></summary></entry><entry><title>Painting For Pleasure</title><category term="ART QUOTES"/><id>http://www.gailsauter.com/a-painter-on-painting/2009/12/7/painting-for-pleasure.html</id><link rel="alternate" type="text/html" href="http://www.gailsauter.com/a-painter-on-painting/2009/12/7/painting-for-pleasure.html"/><author><name>Gail Sauter</name></author><published>2009-12-07T05:00:55Z</published><updated>2009-12-07T05:00:55Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p style="margin: 0in 0in 0pt; text-align: center;" align="center"><span style="font-size: small; color: #000000; font-family: Lucida Sans;"><span class="full-image-block ssNonEditable"><a href="http://www.the-athenaeum.org/art/full.php?ID=37634" target="_blank"><img style="width: 300px;" src="http://gailsauter.squarespace.com/storage/Bonnard.jpg?__SQUARESPACE_CACHEVERSION=1237768568493" alt="" /></a></span></span></p>
<p style="margin: 0in 0in 0pt; text-align: center;" align="center"><span style="font-size: small; color: #000000; font-family: Lucida Sans;"><a href="http://www.abcgallery.com/B/bonnard/bonnardbio.html" target="_blank">Bonnard</a> &ndash; <a href="http://www.the-athenaeum.org/art/full.php?ID=37634" target="_blank">Interior With Flowers (1919)</a> &ndash; <span style="font-size: 80%;">private collection</span></span></p>
<p style="margin: 0in 0in 0pt;">&nbsp;</p>
<p style="margin: 0in 0in 0pt;">&nbsp;</p>
<p style="margin: 0in 0in 0pt;"><a href="http://www.the-athenaeum.org/art/full.php?ID=37634"></a></p>
&nbsp;
<p>&nbsp;</p>
<p style="margin: 0in 0in 0pt; text-align: justify;"><span style="font-size: small; color: #000000; font-family: Lucida Sans;">&ldquo;Draw your pleasure, paint your pleasure, and express your pleasure strongly.&rdquo;&nbsp;&nbsp; </span><span style="font-size: 80%;">Pierre Bonnard</span></p>
<p style="margin: 0in 0in 0pt; text-align: justify;">&nbsp;</p>
<p style="margin: 0in 0in 0pt; text-align: justify;"><span style="font-size: small; color: #000000; font-family: Lucida Sans;">Bonnard was a small, perhaps pensive and quiet man, but you surely wouldn&rsquo;t guess that from looking at his paintings. <a href="http://www.gailsauter.com/a-painter-on-painting/">&gt;&gt;more</a> </span></p>]]></summary></entry><entry><title>What Goes Around, Comes Around</title><category term="ART CHATS"/><id>http://www.gailsauter.com/a-painter-on-painting/2009/11/30/what-goes-around-comes-around.html</id><link rel="alternate" type="text/html" href="http://www.gailsauter.com/a-painter-on-painting/2009/11/30/what-goes-around-comes-around.html"/><author><name>Gail Sauter</name></author><published>2009-11-30T05:00:21Z</published><updated>2009-11-30T05:00:21Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p style="margin: 0in 0in 0pt; text-align: center;" align="center"><span style="font-size: small; color: #000000; font-family: Lucida Sans;"><span class="full-image-block ssNonEditable"><span><a href="http://z.about.com/d/archaeology/1/0/J/9/Gazelle.jpg" target="_blank"><img style="width: 400px;" src="http://gailsauter.squarespace.com/storage/Roman%20mosaic.jpg?__SQUARESPACE_CACHEVERSION=1244251623304" alt="" /></a></span></span></span>&nbsp;</p>
<p style="margin: 0in 0in 0pt; text-align: center;" align="center"><span style="font-size: small; color: #000000; font-family: Lucida Sans;"><a href="http://z.about.com/d/archaeology/1/0/J/9/Gazelle.jpg" target="_blank">Roman Mosaic</a></span></p>
<p style="margin: 0in 0in 0pt;">&nbsp;</p>
<p style="margin: 0in 0in 0pt; text-align: justify;"><span style="font-size: small; color: #000000; font-family: Lucida Sans;">Mosaics are one of our oldest and most permanent art forms. The walls and floors of ancient ruins still live on through their bits of colored glass and stone. The walls of Venice&rsquo;s Basilica of St. Mark sparkle and mesmerize as the flicker of candles reflect in the thousands of gold tiles on its walls. Its floor undulates but the patterning stone mosaics forgive the turbulence and roll with its unevenness. <a href="http://www.gailsauter.com/a-painter-on-painting/">&gt;&gt;more</a></span></p>]]></summary></entry></feed>