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Monday
Aug302010

Passion Defined - The Vogels

Herb and Dorothy Vogel

Herb was a postal worker in New York and Dorothy a librarian. Now retired, they lived on one salary and with the other bought art. Over time, they amassed one of the most important contemporary art collections in history.

Although their collection is worth millions, the Vogels have donated half of it to the National Gallery in D.C. and are presently involved in placing portions of the remainder in a museum in every state in the country. Fifty pieces in fifty museums in fifty states…!

Their enthusiasm for what they have accomplished is a joy to witness… Here is a video clip showing some of their work and their words. (Click Here)

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Monday
Aug232010

Painting The Moment

Dwight Tryon - Early Spring 1913-1914

Among the most delicate paintings of early spring and autumn are those painted by Dwight William Tryon. They were said to be his favorite seasons because the "bones" of the trees were easily visible, or, as he expressed it "the wonderful anatomy of (the) trees."

Evidently, it took Tryon two years to finish this work, which is a depiction of South Dartmouth, Massachusetts where he and his wife had a summer home. In it we can see Tryon's particular talent for building up layers of paint that, nonetheless, appear transparent. I really enjoy the atmosphere he captures in his work. You can almost feel the warmth of the sun beginning to chase away the coolness of the dawn. Thomas Wilmer Dewing would write that its "gossamer-like brushwork" reminded him of the works of Camille Corot. High praise indeed.

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Monday
Aug162010

Points to Ponder

Self Portrait by Chuck Close

Two quotes for you today from the artist Chuck Close:

"I think problem solving is highly over-rated. Problem creation is more interesting. If you want to react personally you have to move away from other people's ideas. . . .and back yourself into your own corner where no one else's solutions apply and ask yourself to behave as an individual."

The greatest enemy for an artist is ease ... and repeating yourself once you get good at it."  

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Monday
Aug092010

Sunlight and Invitation

Venus In The Atrium

 

On the north shore of Long Island, about halfway between New York City and its eastern end is Setauket. Here, the artist William de Leftwich Dodge (1867-1935) built his dream home and studio, a Greek Revival style mansion he called Villa Francesca - named for his wife. It certainly looks like a wonderful place in which to live and paint! What strikes me about this painting is how  beautifully composed it is - with the sunlight spilling into the room, creating a scene of warmth and coziness with all elements working together to lead the eye around the painting but always returning to the sunlight on the floor. You can see this wonderful painting at the Metropolitan Museum of Art… beautiful!

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Monday
Aug022010

The Weird World of Alice Neel

Self Portrait at age 80, Alice Neel (1900 – 1984)

While I do admit to not particularly caring for much of what she does, I absolutely love this whacky painting by Alice Neel!! Such guts to let it all hang out like that (ok, perhaps I could have found a better metaphor!)

Everything that's wonderful about Neel's art is here in this portrait. What she leaves out is as important as what she puts in; and it’s that wonkiness that gives her art its character. She tackled her subjects with an immediacy that was all her own. She was blunt and to the point.

"I don't do realism," Neel once said, going on to declare that a room, a chair, a table and a person were all the same to her.

Whitechapel Gallery in London is having an exhibition of the work of Alice Neel.  It is up until September 17.  Click here for more information. 

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Monday
Jul262010

My Mischievous Muse

I find that after a painting is 'finished' if I let Zelda (my muse) have her way she often really changes things around - not always for the better, but her batting average is way way way up there. So, it is definitely worth the risk of losing something I once was pleased with to let her have her way. But, of course, the trick is to listen to her (She usually only whispers or murmurs. She's very polite about not raising her voice.)

So, Zelda and I had some fun playing in the studio the other day. People got up and left paintings, others walked on stage, and some went on vacation. Here are the (current) results - who knows what will happen next  

 

(Before)

Today and Tomorrow - Oil 30x30

 

(Before)

Aperitif - Oil 10x10

 

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Monday
Jul192010

Paint By Numbers

Last week was my birthday and a friend of mine gave me this paint by number painting that was done in 1958 by someone very famous (I’m sure!). We laughed about the fine art collectability of it, and then I got to wondering so I did some research.

Evidently paint-by-number, or PBN for aficionados, was the brainchild of designer Dan Robbins in 1951 who was inspired by a story about Leonardo da Vinci assigning numbered portions of paintings to his assistants to complete. Wasn't he such a genius (Leonardo, I mean!) Who knew - I've never seen the PBN listed among his many inventions! Do you think he invented the little plastic pots for the paint too?

My own history with PBN  dates from the mid 1950’s when I won a whistling contest by being the first to produce a sound after chewing up a mouthful of crackers. This display of early talent earned me the right to choose a prize from a table stacked with toys. Unfortunately, the girls seemed to have walked off with all the prizes that day and the only prizes left were boy’s prizes. Lincoln Logs. Oh I was sooooo disappointed... how boring! A kind official took pity on me and allowed me to choose a prize from the table for the older girls – a PBN!! I was thrilled. I wonder where this masterpiece hangs now. Probably some museum somewhere, or perhaps the back of my parents’ closet.

Curious, I checked Ebay and found prices going as high as $189 with most bids being around $25. Not a bad return on investment I suppose, since PBN kits originally sold for $2.15.

 

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Monday
Jul122010

Keep It Simple

 

The Barefoot Contessa

Sometimes the simplest ideas are the most effective. This is my friend Kitty. She was seated in dappled sunlight sketching and I just had to paint her. It was the sunlight on her toes that caught my eye. Something about it just seemed so right, so comfortable, so “summer”. Of course, the shape of her hat and the shape of the chair were super, but still, I’ll admit that it was the toes that I wanted to paint. The only colors I used were blue and yellow plus white and a touch of red for the fleshtones.

Wishing you all a happy barefooted summer!

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Monday
Jul052010

Slappin' Paint

Antonio Mancini - Self Portrait 

“The sun sets. The man dies. It is right. But what a pity not to be able to paint any more.”
- Antonio Mancini to a friend.

Some artists just love to paint.  You can sense it in the way the paint lies on the canvas — sometimes slapped on with seemingly apparent abandon. Here we have a painter who apparently went mad as a young man (perhaps from using paints with mercury pigments in them), who lays on his pigments with pure bravado, yet who was very careful in getting his proportions just right. Mancini (1852 - 1930) seems to have gotten lost in the passage of time but he could bring everyday subjects to life and John Singer Sargent is said to have called him “the worlds greatest living artist”. That’s quite some recommendation!

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Monday
Jun282010

Burnt Cookies!

 

Sometimes the role of the artist as self-critic goes neglected in conversations about what is important in the career of being an artist. Yes, we artists are often our worst critics, but we also are the ones most in tune with where we want our work to go and many times we are guilty of presenting work that is in the category of ‘good enough’ or ‘someone may buy it’.

I call these paintings ‘burnt cookies’. You know the ones that are just a little over done on the bottoms – they’re good enough to eat, but they’re not the ones you’d serve special guests or set out at your opening.

My recommendation – if it is toasty on the bottom, scrap it off and recycle the canvas or feed it to the trash.

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Monday
Jun212010

What Kind Of Genius Are You?

 

David Galenson, an economic historian, has scoured the records of art auctions, counted entries in poetry anthologies, tallied images in art history textbooks – and then sliced and diced the numbers to reveal the source code of the creative mind – amazing!

What he has found is that genius comes in two very different forms. “Conceptual innovators,” make bold, dramatic leaps in their disciplines. They do their breakthrough work when they are young. “Experimental innovators” proceed through a lifetime of trial and error and thus do their important work much later in their careers. He allows that people can change camps over the course of a career, but he thinks it’s difficult. 

“Since the Renaissance, genius has been associated with virtuosos who are young.The idea is that you’re born that way – it’s innate and it manifests itself very young,” Galenson says, “We need those brash, certain, paradigm-busting youthful conceptualists. We should give them free rein to do bold work and avoid saddling them with rules and bureaucracy. But we should also leave room for those of us who have, er, avoided peaking too early, whose most innovative days may lie ahead. Nobody would have heard of Jackson Pollock had he died at 31. But the same would be true had Pollock given up at 31. He didn’t. He kept at it. We need to look at that more halting, less certain fellow and perhaps not write him off too early, give them a chance to ride the upward curve of middle age.”  

Source: Wired Magazine article “What Kind of Genius are You?”

 

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Monday
Jun142010

A Great Website for You

Awhile ago I discovered an online art treasure, the Smithsonian Archives of American Art Collections Online.  This wonderful institution has digitized material from lots of important American artists including their writings, letters, photos, drawings and sketchbooks and made them available for viewing. Many of the materials are quite extensive… so fix yourself a cuppa tea, settle in and prepare to enjoy!

(Click Here)

 

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Monday
Jun072010

Painting Titles - The Great Quest

Keith Haring - Untitled

Some artists are content with no title; some will simply number their works… or will use that inventive title ‘untitled’. However, I prefer to give some direction for the viewer to aid in their understanding where I was coming from in creating the work, or to spark something in their viewing of it – something, hopefully that moves the painting into a more elevated realm.

Sometimes the title for a painting will come before the painting has begun. It can sometimes be the source for the painting exploration. However, most often, it arises during the painting process or, more usually, at the end when the painting is finished and about to enter my inventory list.  

Many times coming up with the title seems more difficult than doing the actual painting. To help me in this endeavor, I am constantly noting good titles that other artists have come up with. I write them down in a special folder on my computer. I also note words that are interesting, musical terms, descriptive foreign words, adjectives that appeal to me and short snippets of poetry. That way, when I get ‘stuck’ I have a pool of ideas to reference and, hopefully, spark an idea.

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Monday
May312010

The Golden Hour

Robert Wood - Golden Horizon 1952 

The Golden Hour is officially the first and last hour of sunlight each day, so it occurs at both sunrise and sunset. The scientific explanation for the golden glow you see is that as the sunlight moves through the atmosphere closer to the earth (near or at the horizon) it is dispersed and scattered. With the cool, blue light of the distant atmosphere being scattered, only the warmer, more reddish wavelengths remain.

It’s a delicate and swiftly changing effect – the devil to capture while painting on the spot. You have to work quickly – with no time for second-guessing. One strategy for this is to pre-mix your colors so you can quickly dip into them. It’s also a good idea to arrive on-site early in order to get yourself situated and properly set up to capture what could be only a momentary light effect. You may even want to scope out the spot for a few days beforehand (at the same time, during the same weather) just to get an idea of what typically transpires in terms of light and shadow and to familiarize yourself with the site specifics.

On the other hand, you may just want to pour yourself a glass of wine and enjoy the scene!

 

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Monday
May242010

The Eyes Have It

 

By adding together the eye movement data from a group of test subjects, we can learn where most people look in a given picture.

In the image above, eye-tracking technology recorded the scan-path data from different subjects and compiled the information into composite images.

Isn’t it interesting that we seem to jump around but focus on specific points - always the faces first. It seems that once we are satisfied that we understand what we are looking at, we jump to another area and scan it, but we repeatedly return to our first points of reference.

Art instructors often recommend the use of sharp edges where you want people to look, and softer edges surrounding those areas… now we know why it works.

 

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Monday
May172010

The Value of Painting Plein Air

Sargent's painting of Monet painting 

One of the problems for artists in painting from photographs is that cameras don't deal well with areas of great contrast between bright sunlight and deep shadows. Cameras have a marked tendency to make the shadows look much darker and more solid than they are in reality - hence the value of plein air work for landscape painting. There just is no getting around the subtle nuances that you see when you are in front of your motif. Those subtleties are what we have to rely on to give our paintings their variety and interest… make nature work for you – get outside, observe, and SEE!

Here is a great website with helpful hints for working en plein air. (Click Here)

   

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Monday
May102010

For the Love of Paint

 

Good for You - Oil 10x10

You know, sometimes you just love what you do. This painting is one of those. I really enjoyed painting it, but the true test of a painting’s mettle is, does the painting continue to evoke strong sensations when you view it later. This one does for me. Why?

Well I simply enjoy paint. I enjoy seeing it slathered on. I enjoy seeing the brushstrokes playing with their neighbors. I enjoy seeing colors playing peek-a-boo.

For me, the subject matter in still life painting is just an armament to support the paint. The fruit, the tabletop, the bowl etc are only there to give me a reason to play with the light and the light is there to allow me to play with the paint! ... Sort of like eating your broccoli so you can have pie and then having ice cream with your pie! ... It doesn’t get any better than that!

 

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Monday
May032010

I'm Almost Famous

 

The Matriarchs - Oil 10x10 - Gail Sauter

It's always fun to paint with other artists - to get out and mix with the public and enjoy a fabulous day throwing some paint onto canvas. Every year the Copley Society in Boston (America's oldest art association - established in 1879!) has a paintout called Fresh Paint. About 100 artists are invited to participate. We take over the street, parks and gardens of Boston for a day of plein air painting. 

The paintings will be auctioned off in the gallery on Newbury Street next Saturday, May 8th.

Check out the video of the paintings and hear the artists talking about their day.... I'm nearly famous! Click here to view the video.  (It is the top video, click in the middle of the big CoSo start it.)

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Monday
Apr262010

Some Words of Wisdom

Fredrich Waugh - At the Base of the Cliffs

Known almost entirely as a seascape painter, and one of the best, Fredrick Waugh (1861 1940) spent his later years in Provincetown, Massachusetts. I've choosen to reproduce one of his paintings for you in black and white to show his mastery of subtle color values and contrast.

Here are a few of his thoughts on painting (published in 1910 in the Palette and Bench)

  • simplify, simplify, simplify as much as possible without losing the essential of what is sought
  • look for the big things, art doesn't begin and end in detail. It rather begins in breadth and ends in more breadth.
  • I have always held that with a few exceptions, no two spaces in a picture should be of the same area or shape.
  • I find that my most striking pictures of the sea are those strong in contrasts, the shadows as dark as I can get them all the way up to the highest light I can achieve.
  • A sense of mystery is often conveyed by certain passages which lack obviousness because left unfinished.

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Monday
Apr192010

Timelessness in Art and Artistry

"Oribe, wasn't he a French fashion designer from the 1920s?”

Nope. Furuta Oribe was a Japanese tea master who died in 1615. Oribe pottery is a style of pottery that is known for its whimsical charm and green copper glazes. I think it looks modern in its lack of 'refinement' and I really enjoy looking at it. However, I admit to being surprised that it is 400 years old. I guess that’s what they mean by being ‘timeless’.

Click here to see more pieces.

 

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